Full text of "The Lara Croft Style Guide (2001-01-11)"

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Lara herself has become a celebrity figure and has achieved
unparalleled status as an icon for both the industry and the
digital age. Her popularity has grown, almost exponentially, over
the course of the top-selling titles. Described as a Virtual idol',

'the first true supermodel of the cyber age', and 'Britain's
ambassador for scientific excellence', Lara has also taken the
mainstream by storm. Her image has graced hundreds of
magazine covers worldwide and she has featured in a vast range
of articles from current affairs to fashion. Douglas Coupland has
dedicated a book to her (Lara's book) and she was nominated as
one of Time's Top 20 most influential figures of the 20th Century.
With comic books, action figures, clothing ranges and a live-
action feature film underway (Paramount Pictures), she has
become a sought after product spokesperson. To
date Lara has helped to advertise the Sci-Fi
Channel and has also appeared in television

advertising campaigns for SEAT -

cars and Lucozade Energy.

Lara Croft is unique as a role
model for the digital generation.

Her dynamic personality, physical
appeal and the popularity of her
adventures ensures she continues to
maintain her status as the world's
premier cyber heroine

RAIDER

INTRODUCTION

Tomb Raider games are third-person action-
adventures, available for PC CD-ROM, Sony
PlayStation, Sega Dreamcast and
Nintendo Game Boy
Color formats.

Tomb Raider was the first
video game to feature a
female protagonist: the player assumes the role of infamous
adventurer Lara Croft. Lara is an enterprising, independent
character who must be guided through a series of turbulent
exploits across the globe, following in the tradition of action
movie characters such as 'Indiana Jones'.

Lara is unique, using a combination of wit and daring to solve
puzzles and achieve her goals, unlike many of her male
counterparts who rely largely on violence to reach an
objective. With her fearless acrobatic style, Lara is able
to perform a wide variety of intricate moves as well
as death-defying stunts and acrobatic manoeuvres.

Tomb Raider games have been critically acclaimed
by the media and have received numerous
accolades within the industry. Core Design itself
was awarded a BAFTA in recognition of Tomb
Raider's outstanding contribution to the
interactive industry. Since the release of the
groundbreaking original, each Tomb Raider
adventure has improved on the last. The most
recent installment is no exception to what
has been the most consistent series of
computer games
in history.

"t7ie L&C& CceZrtr

PROFILE)

GENERAL

NAME

NATIONALITY:

D.O.B

BIRTHPLACE

Lara Croft

British

14/02

Wimbledon, Surrey

MARITAL STATUS:

Single

BLOOD GROUP:

AB-

HEIGHT

5ft 9

WEIGHT

9st 4

VITAL STATISTICS

34D 24 35

mm* ,

HAIR COLOUR

Brunette

EYE COLOUR

Brown

DISTINGUISHING FEATURES

9mm handgun

BACKGROUND)

EDUCATION Private Tutoring (3 - 11)

Wimbledon High School for Girls (11-16)
Gordonstoun Boarding School (16 - 18)
Swiss Finishing School (18 - 21)

SPORTS

Not much of a team player. Discovered rock climbing
while at Gordonstoun and used to set off into the hills
alone during netball practice.

Also took up shooting as an extra-curricular activity but
was instantly banned for showing ‘too keen an interest’.
However, the strength that climbing gave her fingers was
to become useful when she started pulling triggers for real.

FAMILY

The daughter of Lord Henshingly Croft, Lara was brought up in the
secure world of aristocracy - surrounded by tennis, butlers and corgis.
But this all started to change when she went to the renowned school of
Gordonstoun and found the mountains of Scotland.

Whilst on summer vacation, she chanced across a copy of National
Geographic on the hall table. The front cover featured a familiar name -
Professor Werner Von Croy. A respected archaeologist, Von Croy had
once lectured at Lara's school to pupils and parents alike. The
experience had a profound effect on Lara, triggering a desire for travel
to remote locations in search of adventure. In some ways Von Croy had
become an inspirational figure for Lara, she learned that Von Croy was

Q\K 4c(e

currently preparing for an archaeological tour across Asia, culminating
in a potential new discovery to be made in Cambodia.

Unable to contain herself, Lara burst in to the room, thrust the article
in front of her parents and without hesitation demanded she
accompany Von Croy on his expedition. Lord Croft could hardly
disagree that travel was an education in itself.

Von Croy's reply assured the
Henshingly Crofts that the territories
were friendly and that he had ample
experience to look after both his and
Lara’s well being. Lara's company as
an assistant would be welcome, as
was the offer of such a generous cheque. He remembered Lara from his
lecture - her incessant yet insightful questions had made quite an
impression upon him.

As Lara argued the case further, he
found himself walking over to the
desk and penning a letter to Von
Croy, introducing himself as an
influential society figure and offering
financial assistance in exchange for
his daughter's place on the
expedition.

And so it was agreed by all that Lara would accompany Von Croy for
the duration of the tour, Lara however was destined to return alone...

Later, at her Swiss
finishing school, she took
to the art of extreme skiing
and spent a holiday in the
Himalayas searching for
more challenging terrain.
On her return trip
however, the plane crashed
deep within the mountains
and Lara was the only
survivor.

Unable to stand the suffocating atmosphere of upper-class British
society any longer, she realised she was only truly alive when she was
travelling alone.

Despite this drastic life change, Lara still retains the essence of her
upbringing - most notably with her polite, upper-class accent.

Lara’s parents though, having sported hopes of her marrying the Earl
of Farringdon, were less than convinced about this chosen lifestyle and
ceased to associate with their daughter - even terminating her monthly
allowance. The Earl is still waiting.

2.0 / 0100

"{Tie L&C&

While in England, Lara lives in a mansion in
Surrey which she inherited many years ago.
At one time she saw little use in it but now
realises that, if nothing else, it is at least
handy for storing all the artifacts she has
acquired on her travels. She has also had a
custom-built assault course constructed in the
grounds for training purposes.

EMPLOYMENT

Lara doesn't consider tomb raiding as a job,

merely a way of life - although she has been known to uncover

archeological artifacts on commission.

To fund her radical lifestyle, Lara writes travel books. Titles so far have
included 'A Tyrannosaurus is jawing at my head 1 and 'Slaying Bigfoot'.
Her common complaint though is that she doesn't have enough time to
put pen to paper.

ACHIEVEMENTS As well as uncovering many notorious archeological sites - including
the Atlantean pyramid and the last resting place of the dagger of Xian,
Lara has found fame in other areas... she has driven the dangerous
Alaskan Highway from Tierra del Fuego in
South America in record time (although this
was later denounced by the Guinness Book of
Records due to her ‘reckless driving’) and she
hit the headlines again when she hunted out
and killed Bigfoot in North America.

( 'personal)

FAVOURITE FILMS

Deliverance
Aguirre, Wrath of God

FAVOURITE MUSIC/BAND

Lara was brought up to appreciate classical music but having been a
guest on US's Popmart tour, has since become a fan of their music. She
has also been introduced to the sounds of Nine inch Nails by her Aunty
and considers it ‘good easy listening’. Finds trance music, in general,
good for training.

FAVOURITE FOODS

Despite being a proficient cook from her days at finishing school and
having sampled most of the exotic delicacies of the world, Lara usually
opts for beans on toast when at home.

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FAVOURITE MODE OF
TRANSPORT

A Norton Streetfighter motorbike.

HOBBIES Any challenging sports. Has a
particular interest in
experimenting with
different, often extreme
forms of transport.

Has also once admitted to
stitching a kind of Bayeaux
tapestry of her own
adventures while at home.

AMBITIONS With her unique physical abilities, Lara is certain of being able to break
many world athletic records and so sees no challenge in this herself. Her
main ambitions still lie in the undefined world of tombs and the past.

HEROES

She has also however, developed a personal regard for Brian Blessed's
attempts to climb Everest. If he never succeeds, she is determined to
piggy-back him up there.

All the great ancient figures who respected themselves enough to design
such intricate tombs to be buried in. ‘Nobody goes to trouble like that
anymore...’

LUCKY CHARM

1 _

Any gun at hand.

FEARS

Her Aunty’s Corgi which

has bitten her on several

occasions - about which,

for once, there is little

she can do.

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COSTUMES

AND

CHARACTERS

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EYE BROWS)

Colour: Dark Brown

eyes)

Colour: Brown
Pant.Ref: 469

Pantone 469 Pantone 478 : Pantone 472 .

3.0 / 1298

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S^ffe

Style: Sleeveless vest
Scoop Neck
Pull Length
Fabric: Cotton/Lycra
Pant.Ref: 346

GLOVE SJ

Style
Fabric
Pant. Ref

Style: 8cm wide
with large
Brass Buckle
Fabric: Leather
Pant.Ref: Belt: Process Black
Buckle: 131

BOOTS

Fingerless
Leather
Process Black

Style: Lace-up
Fabric: Leather Upper
Rubber Sole
Pant.Ref: Laces: 452
Upper: 469
Soles: Process Black

3.01 / 1298

-T7te

S^ffe (ariAi'cys

SHORTS)

Style: Rolled to top
of thigh

Fabric: 100% Cotton
(canvas)
Pant.Ref: 464

Style: Rolled over
top of Boots
Fabric: Cotton
Pant.Ref: White

Pantone 452 Pantone 464 Pantone 1685 ;

3.02 / 1298

'T7te Oce£rfr

SA/e (sriKixte

Style: Sleeveless Vest
Scoop Neck
Full Length
Fabric: Cotton/Lycra
Pant.Ref: 346

/belt

Style: 8cm wide with

large Brass Buckle
Fabric: Leather
Pant.Ref: Belt: Process Black
Buckle: 131

Style: Lace-up
Fabric: Leather Upper
Rubber Sole
Pant.Ref: Laces: 452
Upper: 469
Soles: Process Black

. BOOTS)

Style: Loop through belt
at front and back
Holsters secured
at garters
Fabric: Leather
Pant.Ref: Process Black

GLOVES)

Style: Fingerless
Fabric: Leather
Pant.Ref: Process Black

3.03 / 1298

"Cfte

Rolled to top
of thigh
100% Cotton
(canvas)

464

/ socks) -

Style: Rolled over
top of boots
Fabric: Cotton
Pant.Ref: White

Style: Small Knapsack
Fabric: Leather Straps
Canvas Pack
Pant.Ref: 1685

/jacket

Style: “Flying” Jacket
fitted to waist
Sheepskin Collar and Cuffs
Fabric: Leather

sheepskin lined
Pant.Ref: Leather: 463

Sheepskin: 468

SHORTS)

Style:

Fabric:
Pant. Ref:

Pantone 346

Pantone 131

Pantone 452 j

>ne 468 j

3 . 04 / 1298

'T7te L&C& Oc&Qri^

SA/e (sriKixte

WETSUIT )

Make: Sola
Style: Half-length
Short Sleeves
Zipped down hack
Fabric: Neoprene
Pant.Ref: 273, 428, 430
Process Black

8cm wide
with large
Brass Buckle
Leather

Belt: Process Black
Buckle: 131

Style: Fingerless
Fabric: Leather
Pant.Ref: Process Black

( BELT

Style:

Fabric:
Pant. Ref:

3.05 / 1298

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( BACKPACK>

Style: Small Knapsack
Fabric: Leather Straps
Canvas Pack
Pant.Ref: 1685

HOLSTERS')

Style: Loop through belt
at front and back
Holsters secured
at garters
Fabric: Leather
Pant.Ref: Process Black

3.06 / 1298

"the OceZrfr

S^(fe (ar>A^c(e

Style: Sleeveless vest
Scoop Neck
Cropped

Fabric: Cotton/Lycra
Pant.Ref: White

GLOVES ;

Style
Fabric
Pant. Ref

BELT

Style: 8cm wide
with large
Brass Buckle
Fabric: Leather
Pant.Ref: Belt: Process Black
Buckle: 131

BOOTS)

Fingerless
Leather
Process Black

Style: Lace-up
Fabric: Leather Upper
Rubber Sole
Pant.Ref: Laces: 032
Upper: 469
Soles: Process Black

3.07 / 1298

"the L-Zvcz

Style: Loop through belt
at front and back
Holsters secured
at garters
Fabric: Leather
Pant.Ref: Process Black

Style: Rolled over top
of boots
Fabric: Cotton
Pant.Ref: White

Pantone 032 | Process Black Pantone 131 Pantone 469 Pantone 357 ‘ Pantone 1685 "

3.08 / 1298

"{Tie L&cz

(CATSUIT)

Style: Full-length

Short Sleeves
Zipped down
front and
outside legs
Fabric: Leather
Pant.Ref: Process Black

Style: Two buckles to side
Fabric: Leather Upper
Rubber Sole
Pant.Ref: Buckles: 131

Upper: Process Black
Soles: Process Black

3.09 / 1298

"i7ie L&cz i Oce£rtr

BACKPACK /

Style: Small Knapsack
Fabric: Leather Straps
Canvas

Pant. Ref: 1685

C HOLSTERS

Style: Loop through belt
at front and back
Holsters secured
at garters
Fabric: Leather
Pant.Ref: Process Black

Fingerless
Leather
Process Black

3.10 / 1298

'Xfte L&CZ\ Oce&rfr

GLOVES)

Style: Sleeveless vest
Scoop Neck
Cropped

Fabric: Cotton/Lycra
Pant.Ref: 431

Style: Fingerless
Fabric: Leather
Pant.Ref: Process Black

Style: 8cm wide
with large
Silver Buckle
Fabric: Leather
Pant.Ref: Belt: Process Black
Buckle: 877

Lace-up
Leather Upper
Rubber Sole
Laces: White
Upper: Process Black
Soles: Process Black

BOOTS

Style:
Fabric:

Pant. Ref:

3.11 / 1298

'Vf le L&cz\

(BACKPACK

Style: Small Knapsack
Fabric: Leather Straps
Canvas pack
Pant.Ref: 1685

SOCKS)

Style: Rolled over top
of boots
Fabric: Cotton
Pant.Ref: Process Black

( TROUSERS

Style: Full-length
Fabric: 100% Cotton
(canvas)

Pant.Ref: 284, 540, 549

HOLSTERS)

Style: Loop through

belt at front and
back Holsters
secured at garters
Fabric: Leather
Pant.Ref: Process Black

Pantone 1685 j

3.12 / 1298

'Xfte L&cz\ Oc&Zrtr

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TOP

Style: Sleeveless Vest
Scoop Neck
Full Length
Fabric: Cotton/Lycra
Pant.Ref: 346

GLOVES

Style
Fabric
Pant. Ref

Fingerless
Leather
Process Black

BELT)

Style: 8cm wide
with large
Silver Buckle
Fabric: Leather
Pant.Ref: Belt: Process Black
Buckle: 877

iOTS)

Style: Lace-up
Fabric: Leather Upper
Rubber Sole
Pant.Ref: Laces: White

Upper: Process Black
Soles: Process Black

3.13 / 1298

"the L&C&

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BACKPACK )

Style: Small Knapsack
Fabric: Leather Straps
Canvas pack
Pant.Ref: 1685

TROUSERS

Style: Full-length
Fabric: 100% Cotton
(canvas)
Pant.Ref: White

Cool Grey 2
Cool Grey 8

HOLSTERS)

Style: Loop through belt
at front and back
Holsters secured
at garters
Fabric: Leather
Pant.Ref: Process Black

Rock Technology
Snow Jacket
fitted to waist
Sheepskin Collar
and cuffs
Canvas/Nylon
Canvas/Nylon: 151
Sheepskin: 468

Rolled over top
of boots
Cotton

Process Black

Make:

Style:

Fabric:
Pant. Ref:

SOCKS)

Style:

Fabric:
Pant. Ref:

TECHNOLOGY

3 . 14 / 1298

'T7te L&C& Oc&Qri^

BOOTS1

Style: Lace-up
Fabric: Leather Upper
Rubber Sole
Pant.Ref: Laces: White

Upper: Process Black
Soles: Process Black

Style: Sleeveless Vest
Cropped

Fabric: Cotton/Lycra
Pant.Ref: 346

3.15 / 0100

"the OceZrfr

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/socks)

Style: Rolled over
top of Boots
Fabric: Cotton
Pant.Ref: White

(SHORTS

Style: Rolled to top
of thigh

Fabric: 100% Cotton
(canvas)
Pant.Ref: 357

Cropped
Padded
100% Cotton
(canvas)

357

Style:

Fabric:

Pant. Ref:

Pantone 357 |

3.16 / 0100

'Xf le L&yrz

CATSUIT)

Style: Full-length
Long Sleeves
Zipped down
front

Fabric: Leather
Pant.Ref: Process Black

Style: Two buckles to side
Fabric: Leather Upper
Rubber Sole
Pant.Ref: Buckles: 131

Upper: Process Black
Soles: Process Black

3.17 /1200

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3.18 / 1200

'Xf le L&yrz

BOOTS)

Style: Two buckles to side
Fabric: Leather Upper
Rubber Sole
Pant.Ref: Buckles: 131

Upper: Process Black
Soles: Process Black

Style: Thermal
Fabric: Wool
Pant.Ref: Process Black

BELT

Style: 8cm wide
with large
Brass Buckle
Fabric: Leather
Pant.Ref: Belt: Process Black
Buckle: 131

SKI - SUIT)

Style: Full Length

Polar Camouflage
Fabric: Canvas/Nylon
Pant.Ref: Dark - Cool Grey 10
Light - Cool Grey 7

3.19 /1200

"t7ie L&C& Oc&Zrfr

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BACKPACK)

Style: Small Knapsack
Fabric: Leather Straps
Canvas

Pant. Ref: 1685

GLOVES)

Style
Fabric
Pant. Ref

Fingerless
Leather
Process Black

HOLSTERS

Style: Loop through belt
at front and back
Holsters secured
at garters
Fabric: Leather
Pant.Ref: Process Black

SOCKS)

Style: Rolled over
top of Boots
Fabric: Cotton
Pant.Ref: White

Pantone 1685

3.20 / 1200

'TTie Oc&H~

S^{e GriAihe

('CHARLES KANE)

Born: Casablanca, Morocco 1949
Moroccan father, Scottish Mother.

Charles taught at the Gordonstoun
Boarding School, his subject was history.

He taught Lara here for 2 years, long
enough for him to recognize the potential
of the young girl.

Having never had children of his own,
bonded an almost fatherly relationship
with her although only ever seemingly
able to keep in touch from afar.

He has a personal interest in the old Iron
Curtain countries and with the advent of
Glasnost seized his opportunity to visit
the Eastern block whenever he could
afford the time.

3.21 / 1200

"the Aava OceZrfr

Gr^c(e

( 'wERNER VON CROY)

Born: Vienna, Austria 1940.

His father, curator of the city museum,
introduced him to the ancient artifacts
that so possessed his later life.

Began his explorations at an early age,
to glean items for the museum.

Met Lord Croft through his father, and
it was then that he was requested to
guide Lara through her first
exploration.

3.22 / 1200

'TTie Oc&H~

S^{e GriAihe

"trie Aava OceZrfr

S^fe Gr^'c(e

WINSTON)

FATHER PATRICK DUNSTAN)

Formed a bond with Lord Croft upon
organizing pheasant shooting excursions
and was requested specifically into
service by him on the mainland.

As Lara’s parents continued their world
excursions, Winston became like a father
to her, a bond that remains to this day

Born: Dublin, Ireland, 1954.

An orphan, raised and trained in a
monastery, he left to travel the
Amazon basin, as a missionary.

Pursues an interest in the paranormal,
after being exposed to mysterious
incidents in Haiti.

He returned to southern Ireland and
took up his position as Local priest for
Connussie.

In this short time he became close
friends with Winston, and although
returning to his travels as religious
emissary, would return often to see his
companion, and henceforth to
eventually meet Lara.

3.23 / 1200

3.24 / 1200

'TTie Oc&H~

( | PIERRE)

Born: Nantes, Prance 1951

Pierre took an interest in Lara’s exploits
after, at a young age, she presented the
Louvre with a giant painting that she
had uncovered on her adventures.

He was so enamored with the media
interest that pursued this venture, he
decided that he himself would seek fame
through the recovery of historic items.

Often pursuing the same artifacts lara
herself sought, the two became rivals.

Lara is aware he seeks items only for
monetary gain, and henceforth will do
everything in her power to stop him
and his associates from tarnishing her
respectable trade.

3.25 / 1200

'tTie L&cz OceZrfr

S^fe Gr^'c(e

(LARSON )

While in the US Army, his direct approach
and enthusiasm won him respect from his
fellow soldiers. But due to low intelligence,
was not considered as officer material.

Resenting this, he left to pursue a career as a
gun for hire in Nicaragua, where he was once
more working for the US army, hut this time
in a less official role. It was whilst on this
‘mission’ that he first met Pierre who was at
the time engaged in an ‘unofficial’ dig himself.

Pierre feels that as mercenaries go, better the
devil you know. He also appreciates that, with
Larson not being the sharpest knife in the
drawer, is unlikely to double cross him.

3.26 / 1200

Tfte CceZrtr

S^ffe (ariA6c(e

Born: New York, USA 1974

Tough street upbringing, showed
unusually high level of intelligence in
computing.

Youngest ever employee of Von Croy
Industries, although his computing
interests weren’t always appreciated by
the US government, hacking regularly
into the FBI networks just because he
could! Unfortunately this pastime led
to his being the youngest ever ex¬
employee of VCI.

Set up his own surveillance company
and as a disgruntled ex-employee of
VCI jumped at the chance of working
with Lara.

3.27 / 1200

"Cfte L&C& CceZrfc

WEAPONRY

"{Tie Aava Oce&rt~

(arl\6c(e

WEAPONS X

(STANDARD PISTOLS)

Lara’s default weapons - non-automatic
single shot hand-guns. Very reliable but
causes limited damage.

Fully automatic assault rifle. Very
accurate over long distances, less
effective at close range.

(harpoon gun)

The only one of Lara's weapons which
is usable underwater.

(automatic pistols)

Fully automatic hand-guns - the speed
of discharge causes greater damage in a
shorter time than the Standard Pistols.

Fully automatic pistols - causes
massive damage due to rapid firing.
Most effective at close range.

A huge gun, the 50. Magnum is the
largest calibre semi-automatic gun in
existence. It will cause severe damage
and stop almost anything.

(grenade launcher)

Causes devastating damage but suffers
from very slow reloading time.

12 bore weapon causes significant
damage at close quarters, however
reload speed is fairly slow.

4.0 / 0100

"t7ie Oc&Hr

SAffe Quarts

_ (weaponsX

(ROCKET LAUNCHER)

Single shot portable rocket launcher.
Anything getting in the way of this won’t
be around long enough to tell you about
it. Its only downside is reloading times.

(REVOLVER)

50mm high powered weapon, causes
devastating damage at short to medium
range.

(LASER SIGHT)

Used in conjunction with the Revolver or
the Crossbow greatly increases the
accuracy of both weapons - especially
over longer distances. The sight is also
equipped with a high intensity light beam
to enable Lara to target in darker areas.

(HEKLER KOCH MP5 )

9mm calibre, replaces the Uzi as a tool
of sleek Special Forces. The weapon is
very small and is the ultimate defence
weapon, it is extremely effective and
destructive. Can be fitted with telescopic
sights or laser tracking systems.

(CROSSBOW)

Extremely accurate weapon over long
distances, the bolts that it fires can be
either explosive or standard. The weapon
fires virtually silently which helps in
situations which require stealth.

(GRAPPLING HOOK)

The Grappling Hook Launcher is an ideal
way to get across gaps. The capsule it
fires can only grip onto certain surfaces,
usually grills or grates in the ceiling.

4.01 / 1200

"{Tie L&C& OceZrfr

S^fe (arl\6c(e

VEHICLES^

(dingy)

(minecart)

(underwater propulsion unit)

(kayak)

(motorcycle with sidecar)

(extreme depth suit)

5.0 / 1200

-T7ie Aara Oc&Hr

('creating LARA CROFT )

Lara herself exists as a 3D high polygon texture
mapped model. She is made up of over 40,000
polygonal faces per model. A separate model
exists for each outfit that Lara wears.

As Lara exists as a complete 3D model we are
able to bend and position her bone structure,
and therefore her attached mesh. We can then
render her out in the required pose at high
resolution to cater for all marketing / PR needs.
The 3D software allows us to light her as we
wish and to use morphing techniques to create
individual facial expressions.

The same software is also used to create
FMV(full motion video) animation sequences.

to the versatility of the software, creating
Lara images are relatively simple
only a few days to complete.

7.0 / 1200

"Che Z^ava Oc&Hr

7.01 / 0100

To order existing images of Lara or to
discuss the requirements of an exclusive
image please contact:

( ANDREW THOMPSON

| e-mail: andrew@core-design.com

( SUSIE HAMILTON )

| e-mail: susie@core-design.com

/CORE DESIGN LIMITED^

2 Roundhouse Road

Pride Park

Derby DE24 8JE

Tel: 44 (0) 1332 227 800

Pax: 44 (0) 1332 227 801

"Che L&ch Oc&H~

7.02 / 0398

TR1001

TR1002

TR1003

TR1004

TR1005

TR1006

TR1007

't7ie Z^ava Oc&Hr

(gjAcdg

7.03 / 0398

't7ie Z-ava Oc&H~

S^ffe 6-iAZote

file name

format

size

TR2001

PSD

400K

TR2002

PSD

1.6MB

TR2003

PSD

1.4MB

TR2004

PSD

400K

TR2005

PSD

1.3MB

TR2006

PSD

1.3MB

TR2007

PSD

1.3MB

TR2008

PSD

1.4MB

TR2009

TIFF

46MB

TR2010

PSD

24MB

7.04 / 0398

't7ie Z^ava Oc&Hr

S^ffe 6n\6oe

TR2019

PSD

7MB

TR2012

TIFF

TR2013

TIFF

TR2014

TIFF

TR2015

TIFF

TR2016

PSD

TR2017

TIFF

TR2018

PSD

TR2020

PSD

TR2021

PSD

TR2023

PSD

't7ie Oc&H~

S^ffe 6n\6oe

TR2025

PSD

8MB

TR2026

PSD

TR2029

PSD

5MB

TR2032

PSD

39MB

TR2033

PSD

10MB

file name

format

7.06 / 0398

"t7ie

s^ffe (arlA/Ae

TR2034

PSD

TR2035

TR2036

PSD

TIFF

TR2037

TIFF

TR2038

TR2039

TR2040

TIFF

PSD

TR2041

PSD

size

33MB

17MB

22MB

48MB

29MB

14MB

13MB

7.07 / 0398

"Cfte L&ch Oc&H~

S^ffe (ariAi'cye

TR2044

PSD

3MB

TR2045

PSD

9MB

TR2048

PSD

29MB

7.08 / 0398

"Cfte z^ava Oc&Hr

S^ffe (arl\6C(e

file name

format

TR2051

j? TR2055

TR2054 **

TR2050

PSD

14MB

TR2051

PSD

42MB

TR2052

PSD

27MB

TR2053

PSD

29MB

TR2054

PSD

2MB

TR2055

TGA

2MB

7.09 / 0398

't7ie Oc&H~

S^ffe G\Kj6ie

file name
TR2056

TR2057

TR2058

TR2059

TR2060

TR2061

TR2062

format

TIFF

1MB

200K

400K

200K

7.10 / 0398

"Cfte LJcPCck Oc^r-r _ S£%fe (gjA^dg

7.11 / 0398

"CTie Z^iva Oc&H~

S^ffe 6n\6oe

7.12 / 0398

•t7ie Aara Oc&<t~

(arl\6c(e

file name

format

size

LARA-C

TIFF

800K

TR3001

PSD

12MB

TR3002

PSD

14MB

TR3003

PSD

13MB

TR3004

PSD

30MB

TR3005

PSD

6MB

7.13 / 1298

"t7ie Aav^i Oc&H~

S^fe (arl\6c(e

file name

format

size

TR3006

PSD

14MB

TR3007

PSD

49MB

TR3008

TIFF

4MB

TR3009

PSD

8MB

TR3010

PSD

5MB

7.14/ 1298

'Xfte Lxcz\ Oce&f:

TR3011

PSD

17MB

TR3014

PSD

40MB

TR3015

PSD

9MB

7.15 / 1298

"t7ie LXCZ\ Oc&Zrfr

SA|fe GXcdjs

file name

format

size

TR3017

PSD

11MB

TR3018

TIFF

7MB

TR3019

PSD

12MB

TR3020

TIFF

500K

TR3021

PSD

45MB

TR3022

PSD

20MB

TR3023

PSD

23MB

TR3024

PSD

17MB

7.16 / 1298

"{Tie L&C& OceZrfr

S^fe Q\Al<i<s

7.17 / 1298

•t7ie Z-^ra Ocefep

Sg|fe (arl\6c(e

7.18 / 1298

'Xfte O

file name

format

size

TR3037

TIFF

5MB

TR3038

PSD

7MB

TR3039

PSD

2MB

TR3040

PSD

14MB

TR3040a

PSD

13MB

TR3041

TIFF

20MB

TR3042

PSD

5MB

TR3043

PSD

26MB

7.19 / 1298

't7ie ^Lav^i Oc&H~

S^ffe 6r\Acge

*»*

file name

format

size

TR3044

PSD

32MB

TR3045

TIFF

13MB

TR3046

TIFF

6MB

TR3047

TIFF

6MB

TR3048

TIFF

8MB

TR3049

PSD

25MB

TR3050

TIFF

16MB

7.20 / 1298

"t7ie L&cz i CceZrtr

(ariAi'cye

7.21 / 1298

't'/te <Lava Oc&Hr

S^flfe (j-l\6c(e

file name
TR3054
TR3055
TR3056
TR5057
TR3058

format

PSD

size

43MB

5MB

15MB

8MB

13MB

7.22/0100

"t7ie CceZrtr

file name

format

TR3059

PSD

21MB

TR3060

PSD

40MB

TR3061

PSD

8MB

TR3062

PSD

12MB

TR3063

PSD

40MB

TR3064

PSD

49MB

TR3065

PSD

16MB

7.23 / 0100

"Cfte <Lava Oc&Hr

S^flfe (j-l\6c(e

file name

format

size

TR3066

PSD

16MB

TR3067

PSD

4MB

TR3068

PSD

15MB

TR3069

PSD

8MB

7.24/0100

TR4003

PSD

18MB

TR4004

PSD

15MB

-T7te

SAffe Q\Kisi&

7.25 / 0100

'XJxe Oc&Hr

S£%fe GriKixte

file name

format size

TR4012

TR4009

PSD

13MB

TR4010

PSD

13MB

TR4011

TIFF

20MB

TR4012

PSD

16MB

TR4013

PSD

40MB

7.26 / 0100

-T7te L&C& Oce^rfr

(sriAccfe

file name

format

TR4014

PSD

50MB

TR4015

PSD

7MB

TR4016

PSD

70MB

TR4017

PSD

70MB

TR4018

PSD

70MB

TR4019

PSD

40MB

TR4020

PSD

26MB

I’ p'.v ' v, «'V£j 1

I J 1

■ r tTI

htt' '" JT 7 -* 7 ^T‘",--W

V ^ . Mobi]

f /tC i I

■&B 1 - jfl

I'Hh. V

K ■ ^

1 ffeJJ 5

\\ J9

i HP, ■ 1 j

■ft? £- &YU fr. ■ .*#•

, y k^VaSB

... . 1

7.27 / 0100

'Vfxe. L&c& Oc&Hr

S£%fe GriKixte

file name

format

7.28 / 0100

TR4023

TR4021

PSD

40MB

TR4022

PSD

35MB

TR4023

TIFF

38MB

TR4024

PSD

43MB

TR4025

PSD

7MB

TR4026

PSD

12MB

TR4027

PSD

20MB

TR4028

PSD

15MB

-T7te L&C& Oce^rfr

(sriAccfe

file name

format size

TR4029

PSD

33MB

TR4030

PSD

40MB

TR4031

PSD

90MB

TR4032

PSD

19MB

TR4033

PSD

4MB

7.29 / 0100

'Vfxe. L&c& Oc&Hr

S£%fe GriKixte

TR4037b

TR4038b

to asra Eraa 1 an

TR4036a

dififrOIlj? HiP [fi»iiii; , Si

DC^Shgflw^

felkjfifriKfG

g^aGCSUdaiB-

'The. L&c& Oce^T

SAfe Q\Kisi&

TR4038a

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m-iZGui'j,:,' 0rcflGgi33 It.?
ccE^ai Jlsff as3S

I bi4?iE«fiiPiii tin: ah ?eg

. tta.jjiri Ciii-fttJL l/i.i
WElaraifiiftia

Srn iDuJ3iSijL? !1^!7[-:C
ti^EG^raGuga

vjeitU njiigpEdl

WEiEPyiKiW

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r J ®Gii , irosG»3^
r?337 SEOffillfc
glteflteG raflfo

ffl®d7gJb®uitfl [to m msrm.

TR4037a

file name

format

size

TR4036a

PSD

39MB

TR4036b

PSD

35MB

TR4037a

PSD

30MB

TR4037b

PSD

36MB

TR4038a

PSD

35MB

TR4038b

PSD

27MB

7.31 / 0100

"T/ie Oc&Hr

S/^(e (ariA/cte

file name

format

size

TR4039

PSD

36MB

TR4040

TIFF

23MB

TR4041

PSD

55MB

7.32 / 0100

-T7ie Lzsc& Oc&Hr

Quacks

7.33 / 1200

-trie <La\~a Ore^T

S^ffe <jriA/c(e

file name

format

size

TR5005

TIF

23MB

TR5006

TIF

23MB

TR5007

TIF

38MB

TR5008

TIF

30MB

TR5009

PSD

35MB

7.34/ 1200

"T7ie Lb iv^i OceLrtL

s^ffe (arlA/Ae

TR5010

PSD

18MB

TR5013

PSD

29MB

TR5014

PSD

38MB

7.35 / 1200

'XJ]<s Oc&H~

S^ffe 6*c(e

file name

TR5018

PSD

5MB

TR5021

PSD

27MB

TR5022

PSD

188MB

7.36 / 1200

't7ie Z^ava Oce£rfr

S^ffe G\Kj6ie

file name

format

size

TR5023

TIF

23MB

TR5024

PSD

18MB

TR5025

PSD

12MB

TR5026

PSD

31MB

TR5027

PSD

19MB

TR5028

PSD

9MB

7.37 / 1200

"CTie Z-ava Oce£rC~

S^ffe (ariAZc(e

file name

format

size

TR5029

PSD

5MB

TR5030

PSD

42MB

TR5031

PSD

17MB

TR5032

PSD

28MB

TR5033

PSD

18MB

7.38 / 1800

't7ie Z^ava Oce£rfr

S^ffe G\Kj6ie

file name

format

size

TR5034

PSD

20MB

TR5035

PSD

8MB

TR5036

PSD

5MB

TR5037

PSD

20MB

TR5038

PSD

12MB

TR5039

PSD

8MB

7.39 / 1200

"CTie Z-ava Oce£rC~

S^ffe Gr>AZc(e

7.4/ 1200

"Cfte z^ava Oc&Hr

S^ffe 6n\6oe

( 'core LOGO)

(COPYRIGHT LINE) Core TM of Core Design Limited.

(EIDOSLOGO)

EIDOS

(COPYRIGHT LINE) Eidos Interactive TM of Eidos Interactive Limited.

8.0 / 0398

't7ie Oc&H~

( lara croft signature) )

(COPYRIGHT LINE)

Lara Croft TM Core Design Limited.

8.01 / 0398

"Cfte z^ava Oc&Hr

ST^ffe 6n\6oe

TOMB

RAIDER II

STARRING

LARA CROFT

(COPYRIGHT LINE)

8.02 / 0398

"T7ie L&ch Oc&H~

ST^ffe 6-tA6c(e

( tomb raider n logo)

(AMERICAN)

TOMB

(COPYRIGHT LINE)

8.03 / 0398

"t7ie

(j-iAccte

( TOMB RAIDER III LOGO)

European English
German
Italian
Spanish

1MB

JJiDJ

i:uiero>.

TOMB TIT

minrit 111

ADVENTURES OF LARA CROFT

ivnstrasrroJians coEiilEA (SDESKKT

(COPYRIGHT LINE)

8.04/ 1298

"t7ie L$<r& OceZrfr

S^/e (artArf&e

( |TOMB RAIDER m LOGO)

French

HfeMIIIS

w y i mm

k ELAU1A Ctffcflra

■he lAiiri PUSjri

TOMB Iff

RAIDER JUUL

i t s .mirvi tin i s m: LIKA C'Kf)>T

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Dutch

( iXCy o IB

n n

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miBERi..

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08 aiXIWOO Uu«>fl w* lUfflt' a mnn I us ttXBSHSBa w OwfflC CrfHflMt

TOMB

RAIDER

I > !'■ HLN \Af* 1.4144 CUI.H-T DE AVONTUREN VAN LARA CROFT

(COPYRIGHT LINE)

8.05 / 1298

•t7ie L$<r& Oc&<t~

(arl\6c(e

TOMB

(COPYRIGHT LINE)

8.06 / 1298

"C 7 ie Oc&Hr

S^ffe (ariAi'cye

1 Ok

(TOMB RAIDER HI LOGO)

Japanese , ,, , , pjj LjMiti C MMJLI

m»TKT

n o. "

Uk Yf C/I b .

J . U

wj f Jfl'JLFU'

TOMB HI

raiderIU.

ADVENTURES OF LARA CROFT

hT-liHM

Aama^jcixtaas

( COPYRIGHT LINE )

8.07 / 1298

"t7ie

(j-iAccte

TOMB RAIDER
THE LAST REVELATION

European English

0 W©

HffllUMiRl

imrsu

TBi\:

itiisr-.KKuvicta-'*

TOMB

RAIDER
THE LAST
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il vwyA/^ii o j

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(COPYRIGHT LINE)

8.08 / 0100

•t7ie L&C& OceZrfr

TOMB RAIDER

THE LAST REVELATION

French

iMOEi

TOMB

RAIDER

LA REVELATION

FINAJLE.

/I vny \ f' o ;

llMilMlilE

": a \ 331E1MM®
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TOMB RAIDER IV LOGO)

German

®B Iliaffll IMMfiklL'JiM IJIRI !M4Sr [fiMLliMItW

TOMB TV

raiderI V

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p rm V |“ p '' ;T

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(COPYRIGHT LINE)

8.09 / 0100

•t7ie L$<r& Oc&<t~

(arl\6c(e

TOMB RAIDER

THE LAST REVELATION

USA

(COPYRIGHT LINE)

8.10 / 0100

"C 7 ie Oc&Hr

S^ffe (ariAi'cye

TOMB RAIDER

THE LAST REVELATION
Yn-LVtf-

( COPYRIGHT LINE )

8.11 / 0100

•t7ie L$<r& Oc&<t~

(arl\6c(e

TOMB RAIDER"]
CHRONICLES J

European English / Spanish

IR/SWOTWR

n uvra iE

SH'R©M<SBES

(COPYRIGHT LINE)

TOMB RAIDER^

CHRONICLES J

French

[si»Rti»rsfcT.Rywrs

on SARA

OROE

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Sl'RflrlSkT.RfWrS

(COPYRIGHT LINE)

8.12 / 1200

"Cfte Oc&Hr

S^ffe (ariAi'cye

TOMB RAIDER"]
CHRONICLES J

German

(COPYRIGHT LINE)

TIUOT 0 J¥R

mE&mmmm

iT UWM E

ihib massm.

TOMB RAIDER^

CHRONICLES J

Italian

mixniOTR

<SHR<0N1<S I?GS:

E£

RiWOTR

(S H'RWN'KS BES:

iin iLMaAtsiaBffi L.

( COPYRIGHT LINE )

8.13 / 1200

"t7ie L&C& Oc&<t~

S^fe (arl\6c(e

(COPYRIGHT LINE)

8.14 / 1200

"t7ie L&C& Oce&rfr

TOMB RAIDER
CHRONICLES

Japanese 1

mDEiti

DUSE

@H‘R®NiI(§rI?ES

TOMB RAIDER^

CHRONICLES J

Japanese 2

(COPYRIGHT LINE)

8.15 / 1200

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Full text of "The Lara Croft Style Guide (2001-01-11)"

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